123 Min. | Comedy – Drama – Romance | November 1998
IMDB Rating: 7.1
Director: Steven Soderbergh
Staring: George Clooney, Jennifer Lopez, Ving Rhames
Out of Sight Review: When released in 1998, “Out of Sight” was Steven Soderburgh’s most mainstream film to date, after he burst onto the indie scene a decade earlier with “Sex, Lies, and Videotape”. Based upon the novel by Elmore Leonard, the movie tells the tale of odd couple Jack Foley, a career criminal, and federal marshall Karen Sisco. After a unique first encounter, their paths continue intersecting, with various degrees of intent, to comprise the bulk of the story. Similar to the Soderburgh-helmed “Ocean’s Eleven”, “Out of Sight” blends the standard apples and oranges of genres into a delicious smoothie. This is a drama, minus the driving intensity, light-hearted enough to pass as a comedy. It’s a comedy, but not of the haha sort. The humor lies in things like Clooney’s glances, JLo’s relationship dilemmas, the paradox of Ving Rhames’ self-righteous thief, and the sheer absurdity of Don Cheadle’s gangsta.
The stylistic singular color palettes for different locations that Soderburgh later used magnificently in “Traffic” are present here as well. From bright sun-drenched Florida to the ice cold blues of Detroit, this technique serves as virtual atmosphere, allowing one to determine the geography even without the convenience of titles. In a non-linear film like this, that ease in recognizing time and place facilitates comprehension of what is happening when. Unique among Soderburgh’s work is Out of Sight is use of occasional freeze frames. Stopping the picture for just a second or two, Soderburgh gently identifies poignant moments, obvious or not, allowing an extra moment to deservedly linger on them. With the high technical accomplishments, the acting almost doesn’t matter, but the slightly understated method works wonders. Clooney is his usual suave self, complete with snappy dialogue and a cornucopia of confidence. In a role that “Enough” can only dream about, JLo almost looks like a real actress. She is absent her too-common ditziness and easily holds her own, despite being a tad too glamorous.
In Out of Sight, Rhames, Cheadle, and Albert Brooks are their usual solid selves, playing parts both similar and drastically different from their wheelhouses. Ultimately you believe all of these actors in their parts, even if JLo’s skirts are entirely too short for a federal agent. Like “Ocean’s Eleven”, “Out of Sight” is a very good film, merging quality in all aspects of film-making into a fully enjoyable two hour experience. The main themes of crime and love are basic, so the movie doesn’t soar to remarkable heights. But if you’re looking for a brilliantly made film that you might have missed on its theatrical run, espy Out of Sight and settle in for a quirkily involving night. If you saw Out of Sight a few years back, check it out again to see Soderburgh’s foundation for his own excellence.